3-5 octaves – Level 3
Duration: 3:08

by Wolfgang Amadeus Mozart
arranged by Scott Pfitzinger

A beautiful and reverent choral number reflecting those qualities in the Eucharist, this piece by Mozart has been arranged in a unique way, with the melody (soprano line) on handbells and the accompaniment (and other voice parts) on chimes.

To hear a demo of this piece: Audio Demo
To view the first few pages: Preview

4-6 octaves – Level 2-4 (see below)
Total Duration: ~11:20

by Scott Pfitzinger

This suite combines original melodies with familiar hymn tunes. The three movements can be played all together or individually. A performance suggestion is to use all three during a church worship service. The three short pieces can be used for the Prelude, Offertory, and Postlude.

1. Exaltation – Level 3 (for 4-6 octaves)
2. Reverence – Level 4 (for 4-6 octaves)
3. Worship – Level 2 (for 4-5 octaves)

This Suite may be purchased all together or in individual movements. To preview or purchase individual movements, click on their titles above.

4-6 octaves – Level 3
Duration: 2:17

by Scott Pfitzinger

The opening movement of this suite, “Exaltation” is full of life and energy. Just right for a prelude, opening a worship service, uplifting both God and the listening congregation.

To hear a demo of this piece: Audio Demo
To view the first few pages: Preview

4-6 octaves – Level 4
Duration: 4:30

by Scott Pfitzinger

“Reverence” is the middle movement of Triad. It opens with a syncopated melody and rhythm, transitions to a more marchlike section, then combines the two to be played at the same time. This combination winds down, becoming more meditative and reverent, leading to a verse of “Holy, Holy, Holy.”

If using all three movements during a worship service, this middle movement is ideal for use as an offertory or special number.

To hear a demo of this piece: Audio Demo
To view the first few pages: Preview

4-5 octaves – Level 2
Duration: 4:21

by Scott Pfitzinger

“Worship” is the final movement of Triad. After a unique opening that has a long single LV section, an original melody is combined with the Crusader’s Hymn (also known as “Fairest Lord Jesus”) and a short descant melody on chimes. The end builds to a majestic and worshipful conclusion.

To hear a demo of this piece: Audio Demo
To view the first few pages: Preview